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		<title>Exit Party &#8211; a dystopian novel set in 2031 where the world begins to emerge from disaster</title>
		<link>https://pinkplaymags.com/2026/10/exit-party-a-dystopian-novel-set-in-2031-where-the-world-begins-to-emerge-from-disaster/</link>
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		<dc:creator><![CDATA[Bryen Dunn]]></dc:creator>
		<pubDate>Thu, 29 Oct 2026 19:17:35 +0000</pubDate>
				<category><![CDATA[Books]]></category>
		<guid isPermaLink="false">https://pinkplaymags.com/?p=31637</guid>

					<description><![CDATA[<p>Exit Party is a novel of doubles, shadow worlds, and fractured timelines, as a man disappears from a glittering Los Angeles party, and a woman—a gunrunner, an art collector, an operative of the State—searches for answers. Los Angeles, 2031: The first spring after the collapse of the United States, peacekeeping troops withdraw from the city, [&#8230;]</p>
<p>The post <a href="https://pinkplaymags.com/2026/10/exit-party-a-dystopian-novel-set-in-2031-where-the-world-begins-to-emerge-from-disaster/">Exit Party &#8211; a dystopian novel set in 2031 where the world begins to emerge from disaster</a> appeared first on <a href="https://pinkplaymags.com">PinkPlayMags</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><b>Exit Party </b>is a novel of doubles, shadow worlds, and fractured timelines, as a man disappears from a glittering Los Angeles party, and a woman—a gunrunner, an art collector, an operative of the State—searches for answers.</p>
<p>Los Angeles, 2031: The first spring after the collapse of the United States, peacekeeping troops withdraw from the city, the Jacaranda trees blossom, and the curfew is finally lifted. Ari Waker and her roommate pass the gauntlet of bomb-sniffing dogs, the shanty towns, and the Red Cross tents as they walk across Silverlake to a party. The mood is ecstatic inside the apartment, people drink and dance, a woman wears a silver dress, pleated like tinfoil. And then: A shift. A bewildered twin, an uncanny doppelganger stumbles through the crowd and out into the night, and Kareem, the party’s host, vanishes into thin air.</p>
<p>As Ari Waker unravels the mystery of this inexplicable night, the story takes readers on a journey from a future America splintered by civil war, to the seaside cliffs of Greece where weapons dealers hide in an elegant resort, and from the domed city of Paris to a colony on the moon. An unforgettable literary feat, <em>Exit Party</em> is a novel about the price of safety, the perils of the surveillance state, a requiem for a world not unlike our own, and a breathtaking story of resilience in the face of cataclysmic change.</p>
<p>Available from <a href="https://www.harpercollins.ca/9781443466158/exit-party/" target="_blank" rel="noopener">Harper Collins</a></p>
<p><img data-recalc-dims="1" decoding="async" class="alignnone size-full wp-image-31645" src="https://i0.wp.com/pinkplaymags.com/wp-content/uploads/2026/09/Emily-Mandel.jpg?resize=132%2C220&#038;ssl=1" alt="" width="132" height="220" /></p>
<p><a href="https://www.emilymandel.com/" target="_blank" rel="noopener"><b>EMILY ST. JOHN MANDEL</b></a> is from British Columbia. She is the author of six previous novels, including <i>Sea of Tranquility</i>,<i> The Glass Hotel</i>, which was shortlisted for the Giller Prize, and <i>Station Eleven</i>, which was a finalist for a National Book Award and was included in the <i>New York Times</i> Best 100 Books of the 21st Century list. Her work has been translated into thirty-seven languages and adapted for television. She lives in New York City and Los Angeles.</p>
<p>The post <a href="https://pinkplaymags.com/2026/10/exit-party-a-dystopian-novel-set-in-2031-where-the-world-begins-to-emerge-from-disaster/">Exit Party &#8211; a dystopian novel set in 2031 where the world begins to emerge from disaster</a> appeared first on <a href="https://pinkplaymags.com">PinkPlayMags</a>.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">31637</post-id>	</item>
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		<title>The Toronto Book of the Dead &#8211; exploring Toronto’s history through the stories of its most fascinating and shadowy deaths</title>
		<link>https://pinkplaymags.com/2026/10/the-toronto-book-of-the-dead-exploring-torontos-history-through-the-stories-of-its-most-fascinating-and-shadowy-deaths/</link>
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		<dc:creator><![CDATA[Bryen Dunn]]></dc:creator>
		<pubDate>Thu, 29 Oct 2026 15:31:41 +0000</pubDate>
				<category><![CDATA[Books]]></category>
		<guid isPermaLink="false">https://pinkplaymags.com/?p=31808</guid>

					<description><![CDATA[<p>The Toronto Book of the Dead explores Toronto’s history through the stories of its most fascinating and shadowy deaths,  filled with morbid tales of war and plague, duels and executions, suicides and séances. Toronto’s past is filled with stories whose endings were anything but peaceful. The Toronto Book of the Dead delves into these: from ancient [&#8230;]</p>
<p>The post <a href="https://pinkplaymags.com/2026/10/the-toronto-book-of-the-dead-exploring-torontos-history-through-the-stories-of-its-most-fascinating-and-shadowy-deaths/">The Toronto Book of the Dead &#8211; exploring Toronto’s history through the stories of its most fascinating and shadowy deaths</a> appeared first on <a href="https://pinkplaymags.com">PinkPlayMags</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><strong>The Toronto Book of the Dead</strong> explores Toronto’s history through the stories of its most fascinating and shadowy deaths,  filled with morbid tales of war and plague, duels and executions, suicides and séances. Toronto’s past is filled with stories whose endings were anything but peaceful. <i>The Toronto Book of the Dead</i> delves into these: from ancient First Nations burial mounds to the grisly murder of Toronto’s first lighthouse keeper; from the rise and fall of the city’s greatest Victorian baseball star to the final days of the world’s most notorious anarchist.</p>
<p>Toronto has witnessed countless lives lived and lost as it grew from a muddy little frontier town into a booming metropolis of concrete and glass. <i>The Toronto Book of the Dead</i> tells the tale of the ever-changing city through the lives and deaths of those who made it their final resting place.</p>
<p>Available from <a href="https://www.dundurn.com/books_/t22117/a9781459738065-the-toronto-book-of-the-dead" target="_blank" rel="noopener">Dundurn Press</a></p>
<p><img data-recalc-dims="1" decoding="async" class="alignnone size-medium wp-image-31810" src="https://i0.wp.com/pinkplaymags.com/wp-content/uploads/2026/10/Adam-bunch.jpg?resize=180%2C180&#038;ssl=1" alt="" width="180" height="180" srcset="https://i0.wp.com/pinkplaymags.com/wp-content/uploads/2026/10/Adam-bunch.jpg?resize=180%2C180&amp;ssl=1 180w, https://i0.wp.com/pinkplaymags.com/wp-content/uploads/2026/10/Adam-bunch.jpg?resize=97%2C97&amp;ssl=1 97w, https://i0.wp.com/pinkplaymags.com/wp-content/uploads/2026/10/Adam-bunch.jpg?w=200&amp;ssl=1 200w" sizes="(max-width: 180px) 100vw, 180px" /></p>
<p><a href="https://www.adambunch.com/" target="_blank" rel="noopener"><strong>Adam Bunch</strong></a> is the author of <em>The Toronto Book of the Dead</em>, creator of the Toronto Dreams Project, host and co-creator of <em>Canadiana</em>, and a contributor to <em>Spacing</em>. His work earned an honourable mention for a Governor General’s History Award in 2012. Adam lives in Toronto.</p>
<p>The post <a href="https://pinkplaymags.com/2026/10/the-toronto-book-of-the-dead-exploring-torontos-history-through-the-stories-of-its-most-fascinating-and-shadowy-deaths/">The Toronto Book of the Dead &#8211; exploring Toronto’s history through the stories of its most fascinating and shadowy deaths</a> appeared first on <a href="https://pinkplaymags.com">PinkPlayMags</a>.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">31808</post-id>	</item>
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		<title>Bangkok vows to make WorldPride 2030 a platform for advancing LGBTQIA+ visibility and solidarity across Asia</title>
		<link>https://pinkplaymags.com/2026/10/bangkok-vows-to-make-worldpride-2030-a-platform-for-advancing-lgbtqia-visibility-and-solidarity-across-asia/</link>
					<comments>https://pinkplaymags.com/2026/10/bangkok-vows-to-make-worldpride-2030-a-platform-for-advancing-lgbtqia-visibility-and-solidarity-across-asia/#respond</comments>
		
		<dc:creator><![CDATA[Bryen Dunn]]></dc:creator>
		<pubDate>Thu, 29 Oct 2026 15:22:14 +0000</pubDate>
				<category><![CDATA[Travel]]></category>
		<guid isPermaLink="false">https://pinkplaymags.com/?p=31786</guid>

					<description><![CDATA[<p>Bangkok has pledged to make WorldPride 2030 a platform for advancing LGBTQIA+ visibility and solidarity across Asia, ensuring the event’s first arrival in the region strengthens communities beyond the host city. As the official applicant and host, Bangkok Pride’s bid commits to giving activists and organizations from across Asia a meaningful role in WorldPride while [&#8230;]</p>
<p>The post <a href="https://pinkplaymags.com/2026/10/bangkok-vows-to-make-worldpride-2030-a-platform-for-advancing-lgbtqia-visibility-and-solidarity-across-asia/">Bangkok vows to make WorldPride 2030 a platform for advancing LGBTQIA+ visibility and solidarity across Asia</a> appeared first on <a href="https://pinkplaymags.com">PinkPlayMags</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>Bangkok has pledged to make <strong><a href="https://bangkokpride.world/" target="_blank" rel="noopener">WorldPride 2030</a></strong> a platform for advancing LGBTQIA+ visibility and solidarity across Asia, ensuring the event’s first arrival in the region strengthens communities beyond the host city. As the official applicant and host, Bangkok Pride’s bid commits to giving activists and organizations from across Asia a meaningful role in WorldPride while fostering connections with global partners to build support that continues beyond the occasion.</p>
<p>Across Asia, LGBTQIA+ communities operate under widely differing conditions. Bangkok’s bid aims to provide a platform where communities can raise their voices, contribute to international discussions and strengthen cross-border cooperation.</p>
<p>“Bringing WorldPride to Asia for the first time would be more than a celebration. It would be a powerful moment for LGBTQ+ Asians to see ourselves represented on a global stage – and for the world to hear the diverse voices, stories and struggles of our communities,” said Raymond Phang, co-founder of ShanghaiPRIDE. “From Shanghai to Bangkok, from grassroots organizers to a new generation of LGBTQ+ Asians, our movement has always been about creating space for people to live openly, safely and with dignity. I hope Bangkok 2030 can be a WorldPride that celebrates how far Asia has come, while reminding us of the work still ahead for equality, acceptance and human rights.”</p>
<p>The bid includes practical measures to widen participation. The proposed Bangkok WorldPride Activist Fellowship would provide at least 150 fully funded places for frontline activists, with at least 70 percent allocated to participants from the Global South to reduce barriers in accommodation and accreditation.</p>
<p>Regional perspectives would also help shape a week-long Human Rights Forum, which would anchor Bangkok Action 2030 – a proposed framework for cooperation on legal and family recognition, bodily autonomy, protection for human-rights defenders, health equity and digital rights.</p>
<p>Furthermore, Bangkok WorldPride 2030 would establish a Pride City Network Asia community hub, building upon Thailand’s existing network of local organizers and authorities to create creating opportunities for Pride organizations across the region.</p>
<p><strong>Building a legacy beyond 2030</strong></p>
<p>Bangkok’s bid builds on Thailand’s continuing journey towards equality. Marriage equality took effect in January 2025, making Thailand the first country in Southeast Asia to recognize same-sex marriage. By 2030, the country will mark five years since the law took effect – with the global landscape having since shifted.</p>
<p>​Ann Chumaporn, Core Team Lead of WorldPride 2030, Bangkok Candidate City, added: “At a time when gender equality and LGBTQIA+ rights are facing severe pushback across the globe, holding our ground is no longer enough, and we must move forward with courage and solidarity. Thailand’s journey to marriage equality proved that transformative change is possible when community leadership remains at the core. Bringing WorldPride 2030 to Bangkok is about opening a vital gateway for Asia – a sanctuary where frontline activists can breathe, connect, and reclaim their narratives. This bid is our collective promise that Asia will not be silenced, but will rise as a powerful force of hope, resilience, and enduring progress for human rights worldwide.”</p>
<p>The bid proposes a legacy that extends beyond the event itself. A share of operational surpluses would establish a permanent Pride City Network Fund, providing micro-grants, capacity-building resources and emergency relocation support for human-rights defenders across Asia. It also proposes a Sexual Orientation, Gender Identity and Expression, and Sex Characteristics (SOGIESC) Museum and Archive to preserve and increase the visibility of Asian queer histories.</p>
<p>Bangkok’s ambition is for communities across Asia to leave WorldPride 2030 with stronger partnerships, greater access to international support and resources for advancing equality in the years ahead. Click <a href="https://bangkokpride.world/world-pride-2030" target="_blank" rel="noopener">here</a> to find out more and stay updated.</p>
<p>The post <a href="https://pinkplaymags.com/2026/10/bangkok-vows-to-make-worldpride-2030-a-platform-for-advancing-lgbtqia-visibility-and-solidarity-across-asia/">Bangkok vows to make WorldPride 2030 a platform for advancing LGBTQIA+ visibility and solidarity across Asia</a> appeared first on <a href="https://pinkplaymags.com">PinkPlayMags</a>.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">31786</post-id>	</item>
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		<title>Devour Me, Again: Collected Poems from Bambi Lake, the beloved and bad-mouthed trans icon of San Francisco’s counterculture</title>
		<link>https://pinkplaymags.com/2026/10/devour-me-again-collected-poems-from-bambi-lake-the-beloved-and-bad-mouthed-trans-icon-of-san-franciscos-counterculture/</link>
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		<dc:creator><![CDATA[Bryen Dunn]]></dc:creator>
		<pubDate>Wed, 28 Oct 2026 19:50:19 +0000</pubDate>
				<category><![CDATA[Books]]></category>
		<guid isPermaLink="false">https://pinkplaymags.com/?p=31630</guid>

					<description><![CDATA[<p>Bambi Lake was a trans chanteuse, performer, provocateur, and countercultural darling of the ’70s, and subsequent decades. “The Glamorous Life follows me around,” she sang in her ballad “The Golden Age of Hustlers” (later popularized by Justin Vivian Bond). Her life in San Francisco—including being on the fringes of the Cockettes, and a member of [&#8230;]</p>
<p>The post <a href="https://pinkplaymags.com/2026/10/devour-me-again-collected-poems-from-bambi-lake-the-beloved-and-bad-mouthed-trans-icon-of-san-franciscos-counterculture/">Devour Me, Again: Collected Poems from Bambi Lake, the beloved and bad-mouthed trans icon of San Francisco’s counterculture</a> appeared first on <a href="https://pinkplaymags.com">PinkPlayMags</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><a href="https://www.lgbtqhp.org/post/bambi-obituary" target="_blank" rel="noopener"><strong>Bambi Lake</strong></a> was a trans chanteuse, performer, provocateur, and countercultural darling of the ’70s, and subsequent decades. “The Glamorous Life follows me around,” she sang in her ballad “The Golden Age of Hustlers” (later popularized by Justin Vivian Bond). Her life in San Francisco—including being on the fringes of the Cockettes, and a member of the adjacent Angels of Light—was “sort of legendary,” sort of “sweet, sticky, nasty,” and always precarious, lived in spite of addiction, homelessness, and the horrors that came from chasing and surviving her own desires.</p>
<p>Here are her poems, long out of print, that wear “burgundy velvet jezebel bras” to seduce “fatally hetero” men, detailing the cabaret of desire amidst social, cultural, and political change. “I am Beauty,” she writes, “and the world dissolves.”</p>
<p>The collection includes a series of interviews by August Bernadicou and a foreword by Brontez Purnell.</p>
<p>Available from <a href="https://nightboat.org/book/devour-me-again-poems/" target="_blank" rel="noopener">Nightboat Books</a></p>
<div id="attachment_31631" style="width: 190px" class="wp-caption alignnone"><img data-recalc-dims="1" decoding="async" aria-describedby="caption-attachment-31631" class="size-medium wp-image-31631" src="https://i0.wp.com/pinkplaymags.com/wp-content/uploads/2026/09/Bambi-bio.jpg?resize=180%2C180&#038;ssl=1" alt="" width="180" height="180" srcset="https://i0.wp.com/pinkplaymags.com/wp-content/uploads/2026/09/Bambi-bio.jpg?resize=180%2C180&amp;ssl=1 180w, https://i0.wp.com/pinkplaymags.com/wp-content/uploads/2026/09/Bambi-bio.jpg?resize=97%2C97&amp;ssl=1 97w, https://i0.wp.com/pinkplaymags.com/wp-content/uploads/2026/09/Bambi-bio.jpg?w=300&amp;ssl=1 300w" sizes="(max-width: 180px) 100vw, 180px" /><p id="caption-attachment-31631" class="wp-caption-text">Lake, Bambi at the premiere of Wigstock the movie, June 9, 1995</p></div>
<p><b>Bambi Lake</b> (1950-2020) was an author and chanteuse performer based in San Francisco, known for work that spoke to her experience as a transgender woman, including her ballad “The Golden Age of Hustlers.” She is the author of <em>Devour Me, Again </em>(Nightboat, 2026), as well as a memoir <em>The Unsinkable Bambi Lake</em> (1996).</p>
<p>The post <a href="https://pinkplaymags.com/2026/10/devour-me-again-collected-poems-from-bambi-lake-the-beloved-and-bad-mouthed-trans-icon-of-san-franciscos-counterculture/">Devour Me, Again: Collected Poems from Bambi Lake, the beloved and bad-mouthed trans icon of San Francisco’s counterculture</a> appeared first on <a href="https://pinkplaymags.com">PinkPlayMags</a>.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">31630</post-id>	</item>
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		<title>Toronto International Festival of Authors (TIFA) unites readers with literary leaders &#8211; Oct 28 to Nov 1, 2026</title>
		<link>https://pinkplaymags.com/2026/10/toronto-international-festival-of-authors-tifa-unites-readers-with-literary-leaders-oct-28-to-nov-1-2026/</link>
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		<dc:creator><![CDATA[Bryen Dunn]]></dc:creator>
		<pubDate>Tue, 27 Oct 2026 15:34:21 +0000</pubDate>
				<category><![CDATA[Books]]></category>
		<guid isPermaLink="false">https://pinkplaymags.com/?p=31686</guid>

					<description><![CDATA[<p>The Toronto International Festival of Authors (TIFA) is a vibrant celebration of the stories that shape our world. As Toronto’s premier literary organization, TIFA offers a breadth of immersive, one-of-a-kind events that connect readers and authors alike for five days of conversations, workshops, performances, and book signings from October 28 to November 1, 2026 at [&#8230;]</p>
<p>The post <a href="https://pinkplaymags.com/2026/10/toronto-international-festival-of-authors-tifa-unites-readers-with-literary-leaders-oct-28-to-nov-1-2026/">Toronto International Festival of Authors (TIFA) unites readers with literary leaders &#8211; Oct 28 to Nov 1, 2026</a> appeared first on <a href="https://pinkplaymags.com">PinkPlayMags</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><span style="font-family: Times New Roman, serif;">The <a href="https://festivalofauthors.ca/festival-2026-events/" target="_blank" rel="noopener"><strong>Toronto International Festival of Authors (TIFA)</strong></a> is a vibrant celebration of the stories that shape our world. As Toronto’s premier literary organization, TIFA offers a breadth of immersive, one-of-a-kind events that connect readers and authors alike for five days of conversations, workshops, performances, and book signings from <strong>October 28 to November 1, 2026 at Victoria University in the University of Toronto</strong>.</span></p>
<p><span style="font-family: Times New Roman, serif;">The Festival offers the opporunity to meet many acclaimed writers, including </span><strong><span style="font-family: Times New Roman, serif;">Dave Eggers, Ann-Marie MacDonald, David Shribman, Canisia Lubrin, Carol Off, Jesse Wente, Andrew Sean Greer</span></strong><span style="font-family: Times New Roman, serif;">, <strong>David Szalay, Marie NDiaye, Patrick deWitt, and Philippe Sands</strong>, who are included among the more than 100 of Canada’s and the world’s most celebrated writers, thinkers, and storytellers. </span></p>
<p><span style="font-family: Times New Roman, serif;">Alongside a lineup of <strong>literary fiction luminaries</strong>, with guests from 20 countries including Taiwan, Korea, Japan, Norway, Iceland, Netherlands, France, Italy, Australia, and UAE, this year&#8217;s festival delves into politics and history, with a strand of <strong>non-fiction programming</strong> curated by international human rights lawyer and award-winning author </span><strong><span style="font-family: Times New Roman, serif;">Philippe Sands</span></strong><span style="font-family: Times New Roman, serif;">. </span><span style="font-family: Times New Roman, serif;">Throughout the festival, audiences will discover new perspectives on the world around us, explore the possibilities of adaptation and translation, and experience performances that bring music and the written word together.</span></p>
<p><span style="font-family: Times New Roman, serif;">Below is a list of select TIFA programme highlights and guests attending over the course of the Festival. For the full Festival programme and schedule, please visit <a href="https://thetarogroup.us17.list-manage.com/track/click?u=223bc8ac29f72dcae6e0c4c35&amp;id=2250531b3f&amp;e=6547fe5bf0" target="_blank" rel="noopener">FestivalofAuthors.ca</a>.</span></p>
<p><span style="font-family: Times New Roman, serif;"><strong>INTERNATIONAL HIGHLIGHTS</strong></span></p>
<p><span style="font-family: Times New Roman, serif;">TIFA welcomes leading writers from around the world:</span></p>
<ul>
<li><span style="font-family: Times New Roman, serif;"><strong>Rachel Maddow</strong> (host of The Rachel Maddow Show on MSNBC) and <strong>Rebecca Solnit</strong> (author of <em>No Straight Road Takes You There) </em>in conversation with Nahlah Ayad (CBC Ideas). Introduced by Margaret Atwood. This special conversation is the Festival’s opening event at Koerner Hall on Tuesday, October 28, 2025</span></li>
<li><span style="font-family: Times New Roman, serif;"><strong>Kōtarō Isaka </strong>in his first North American appearance. His new novel, <em>Hotel Lucky Seven,</em> features the characters made famous in <em>The Bullet Train, </em>recently adapted for film starring Brad Pitt</span></li>
<li><span style="font-family: Times New Roman, serif;"><strong>Kiran Desai</strong>: The 2006 Man Booker Prize Winner presents her new novel <em>The Loneliness of Sonia and Sunny</em> (Booker longlisted for 2025) in her only Canadian appearance</span></li>
<li><span style="font-family: Times New Roman, serif;"><strong>André Aciman:</strong> author of <em>Call Me By Your Name</em> (which became a hit film), presents his new memoir, <em>My Roman Year</em></span></li>
<li><span style="font-family: Times New Roman, serif;"><strong>Richard Armitage</strong>: TV star of The Hobbit and many Harlan Coben adaptations on his new novel, <em>The Cut</em></span></li>
<li><span style="font-family: Times New Roman, serif;"><strong>Serhii Plokhy</strong>: one of the world’s foremost writers on Ukraine and Russia presents his new book <em>The Nuclear Age</em>; his book <em>Chernobyl</em> is a television hit</span></li>
<li><span style="font-family: Times New Roman, serif;"><strong>Nathan Harris</strong>: his new novel <em>Amity</em>; his debut <em>The Sweetness of Water</em> was one of President Obama’s Favorite Books of 2021</span></li>
<li><span style="font-family: Times New Roman, serif;"><strong>Cho-Nam Joo </strong>(<em>Kim Ji-Young 1982</em>)<strong>, Chris Pavone </strong>(<em>The Expats, The Doorman</em>)<strong>, Catherine Newman </strong>(<em>Sandwich</em>)<strong>, Jonas Hassan Khemiri </strong><em>(The Sisters)</em><strong>, Susan Choi </strong><em>(Flashlight), </em><strong>Eimear McBride (</strong><em>The City Changes its Face),</em><strong> Alka Joshi </strong><em>Six Days in Bombay) </em>&amp; more</span></li>
</ul>
<p><span style="font-family: Times New Roman, serif;"><strong>CELEBRATING CANADIAN VOICES</strong></span></p>
<p><span style="font-family: Times New Roman, serif;">A spotlight on Canada’s most acclaimed authors:</span></p>
<ul>
<li><span style="font-family: Times New Roman, serif;"><strong>Giller Prize winners Ian Williams, Michael Redhill, and Souvankham Thammavongsa</strong> launch their new novels</span></li>
<li><span style="font-family: Times New Roman, serif;">Much loved Canadian authors <strong>Thomas King, Madeleine Thien, Emma Donoghue,</strong> and<strong> Guy Gavriel Kay </strong>present their new books</span></li>
<li><span style="font-family: Times New Roman, serif;"><strong>Festival of Indigenous Stories, co-curated with Niigaan Sinclair: </strong>Brian Thomas Isaac, David A Robertson, Katherena Vermette, Kyle Edwards and Tracey Lindberg</span></li>
</ul>
<p><span style="font-family: Times New Roman, serif;"><strong>ELBOWS UP CANADA!</strong></span></p>
<p><span style="font-family: Times New Roman, serif;">Across non-fiction and fiction, capturing the state of our nation in 2025:</span></p>
<ul>
<li><span style="font-family: Times New Roman, serif;"><strong>Andrew Coyne</strong>, Globe &amp; Mail columnist, on Canada’s democratic institutions</span></li>
<li><span style="font-family: Times New Roman, serif;"><strong>Brian Stewart</strong> on his life as a foreign correspondent with CBC</span></li>
<li><span style="font-family: Times New Roman, serif;"><strong>David Shribman</strong> on the future of history in the USA</span></li>
<li><span style="font-family: Times New Roman, serif;"><strong>Susan Swan</strong> and <strong>Cathrin Bradbury </strong>on being a woman in the ‘troisieme age’</span></li>
<li><span style="font-family: Times New Roman, serif;"><strong>The Hilary Weston Non-Fiction Prize: </strong>celebrate the shortlisted authors</span></li>
<li><span style="font-family: Times New Roman, serif;"><strong>Kanata Classics:</strong> explore the CanLit canon with David Chariandy, David A Robertson and Claire Cameron</span></li>
<li><span style="font-family: Times New Roman, serif;"><strong>Alex Neve:</strong> 2025 Massey Lecturer in conversation on Universality &amp; Human Rights</span></li>
<li><span style="font-family: Times New Roman, serif;"><strong>Rogers v Rogers, from Page to Stage:</strong> with director Chris Abraham, playwright Michael Healy and author Alexandra Posadzki, in partnership with Crow’s Theatre</span></li>
</ul>
<p><span style="font-family: Times New Roman, serif;"><strong>WELCOME WORLD: INTERNATIONAL PERSPECTIVES</strong></span></p>
<p><span style="font-family: Times New Roman, serif;">Offering access to global conversations and perspectives:</span></p>
<ul>
<li><span style="font-family: Times New Roman, serif;"><strong>Singapore: </strong>Jeremy Tiang <em>(State of Emergency)</em> and Jemimah Wei <em>(The Original Daughter)</em>, acclaimed Singaporean writers and translators</span></li>
<li><span style="font-family: Times New Roman, serif;"><strong>Taiwan:</strong> Lin King <em>(Taiwan Travelogue)</em> and Terao Tetsuya <em>(Spent Bullets)</em></span></li>
<li><span style="font-family: Times New Roman, serif;"><strong>Korea:</strong> Cho-Nam Joo <em>(Kim Jiyoung Born 1982)</em>, Bo Young-Kim <em>(I’m Waiting for You: And Other Stories) </em>and Jinwoo Park <em>(Oxford Soju Club)</em></span></li>
<li><span style="font-family: Times New Roman, serif;"><strong>Arabic Voices: </strong>including Ziyad Saadi <em>(Three Parties)</em>, Fadi Zaghmout <em>(A Man of Middling Height)</em> and Ibtisam Azem <em>(The Book of Disappearance)</em></span></li>
<li><span style="font-family: Times New Roman, serif;"><strong>Diverse US authors:</strong> Alejandro Heredia <em>(Loca)</em>; David Wright Faladé <em>(The New Internationals)</em>, Michel Nieva <em>(Dengue Boy)</em>, Adam Haslett <em>(Mothers and Sons)</em>, Samrat Upadhyay <em>(Darkmotherland) </em>and more</span></li>
</ul>
<p><span style="font-family: Times New Roman, serif;"><strong>IDEAS IN ACTION</strong></span></p>
<p><span style="font-family: Times New Roman, serif;">A nonfiction lineup exploring imagination as a force for change and creativity, including:</span></p>
<ul>
<li><span style="font-family: Times New Roman, serif;"><strong>Francesca Wade</strong> <em>(Gertrude Stein: An Afterlife) </em>on Gertrude Stein, the salonista and modernist literary legend</span></li>
<li><span style="font-family: Times New Roman, serif;"><strong>Garth Risk Hallberg</strong> <em>(The Uncollected Stories of Mavis Gallant) </em>on Mavis Gallant, iconic Canadian writer</span></li>
<li><span style="font-family: Times New Roman, serif;"><strong>Susan Aglukark</strong> <em>(Kihiani: A Memoir of Healing) </em>and <strong>Natalie MacMaster</strong><em> (I Have a Love Story)</em> on music, memory, and resilience</span></li>
<li><span style="font-family: Times New Roman, serif;"><strong>Ira Wells</strong> (<em>On Book Banning: Or, How the New Censorship Consensus Trivializes Art and Undermines Democracy) </em>on censorship and book banning</span></li>
<li><span style="font-family: Times New Roman, serif;"><strong>Victoria Hetherington </strong><em>(The Friend Machine: On the Trail of AI Companionship) </em>on AI &amp; emotion</span></li>
</ul>
<p><span style="font-family: Times New Roman, serif;"><strong>PARTNERSHIPS &amp; PROGRAMMES</strong></span></p>
<ul>
<li><span style="font-family: Times New Roman, serif;"><strong>Writers Collective of Canada</strong> workshops on writing and wellbeing</span></li>
<li><span style="font-family: Times New Roman, serif;"><strong>Masterclasses</strong> in partnership with Humber School for Writers</span></li>
<li><span style="font-family: Times New Roman, serif;"><strong>Yoga &amp; Journalling </strong>sessions</span></li>
</ul>
<p style="text-align: center;"><strong><span style="font-family: Times New Roman, serif;">Highlights from the expanded 2026 programme include:</span></strong></p>
<ul type="disc">
<li><strong><span style="font-family: Times New Roman, serif;">Festival of Indigenous Stories</span></strong></li>
</ul>
<ul type="disc">
<li style="list-style-type: none;">
<ul type="circle">
<li><span style="font-family: Times New Roman, serif;">Times: Daily events throughout the Festival</span></li>
<li><span style="font-family: Times New Roman, serif;">Venues: Emmanuel Chapel &amp; Northrop Frye Hall Room 003</span></li>
<li><span style="font-family: Times New Roman, serif;">Bringing together nine Indigenous authors and artists from Canada and Australia for a slate of conversations and new commissions exploring Indigenous yearning and futurity, the programme features </span><strong><span style="font-family: Times New Roman, serif;">Alicia Elliot, Bebe Oliver, Jasmin McGaughey, Quill Christie-Peters, Nardi Simpson, Kirli Saunders, and Jesse Wente</span></strong><span style="font-family: Times New Roman, serif;">.</span></li>
<li><span style="font-family: Times New Roman, serif;">The Festival of Indigenous Stories is co-curated by award-winning Goorie and Koori poet </span><strong><span style="font-family: Times New Roman, serif;">Evelyn Araluen</span></strong><span style="font-family: Times New Roman, serif;"> (</span><em><span style="font-family: Times New Roman, serif;">The Rot; Dropbear</span></em><span style="font-family: Times New Roman, serif;">), and bestselling author of </span><em><span style="font-family: Times New Roman, serif;">Bad Cree</span></em><span style="font-family: Times New Roman, serif;">, </span><strong><span style="font-family: Times New Roman, serif;">Jessica Johns</span></strong><span style="font-family: Times New Roman, serif;">, of Sucker Creek First Nation.</span></li>
<li><span style="font-family: Times New Roman, serif;">Produced in partnership with Melbourne Writers Festival (MWF) and supported by the Canada Council for the Arts.</span></li>
</ul>
</li>
</ul>
<ul type="disc">
<li><strong><span style="font-family: Times New Roman, serif;">Rupture/Justice</span></strong></li>
</ul>
<ul type="disc">
<li style="list-style-type: none;">
<ul type="circle">
<li><span style="font-family: Times New Roman, serif;">Nonfiction programme created with Guest Curator </span><strong><span style="font-family: Times New Roman, serif;">Philippe Sands</span></strong></li>
<li><span style="font-family: Times New Roman, serif;">Award-winning author and international human rights lawyer </span><strong><span style="font-family: Times New Roman, serif;">Philippe Sands </span></strong><span style="font-family: Times New Roman, serif;">joins TIFA as Guest Curator for </span><em><span style="font-family: Times New Roman, serif;">Rupture / Justice,</span></em><span style="font-family: Times New Roman, serif;"> bringing together an extraordinary international line-up including</span><strong><span style="font-family: Times New Roman, serif;"> Caroline Elkins, Adam Hochschild, Jane Mayer, Arlie Russell Hochschild, Gaël Faye, Beata Umubyeyi Mairesse, Jesse Wente, Mayo Moran, Rebecca Hogue and Robert Moor.</span></strong></li>
<li><span style="font-family: Times New Roman, serif;">Across five conversations, they explore the fault lines fracturing our world: from the unfinished legacies of history and the forces driving political division, to literature as a means of survival and healing, Canada’s ongoing journey towards reconciliation, and our collective responsibility for a planet in crisis.</span></li>
<li><span style="font-family: Times New Roman, serif;">Opening with </span><em><span style="font-family: Times New Roman, serif;">5 Moments of Justice in Words and Music</span></em><span style="font-family: Times New Roman, serif;">, Sands is joined by Gideon Zelermyer, Stephen Glass and Daniel Singer, before closing the series with the acclaimed theatrical performance </span><strong><span style="font-family: Times New Roman, serif;">East West Street: A Song of Good and Evil</span></strong><span style="font-family: Times New Roman, serif;">, featuring Natalie Dessay and Laurent Naouri.</span></li>
</ul>
</li>
</ul>
<ul type="disc">
<li><strong><span style="font-family: Times New Roman, serif;">IV Programme Keynote Conversation with James Daunt</span></strong></li>
</ul>
<ul type="disc">
<li style="list-style-type: none;">
<ul type="circle">
<li><span style="font-family: Times New Roman, serif;">Time: Wednesday, October 28 at 2:30 PM</span></li>
<li><span style="font-family: Times New Roman, serif;">Venue: Isabel Bader Theatre</span></li>
<li><span style="font-family: Times New Roman, serif;">This year’s IV Programme Keynote welcomes James Daunt, the founder of Daunt Books, Managing Director of Waterstone’s and CEO of Barnes &amp; Noble.</span></li>
</ul>
</li>
</ul>
<ul type="disc">
<li><strong><span style="font-family: Times New Roman, serif;">In Conversation with </span><span style="font-family: Times New Roman, serif;">Andrew Sean Greer </span><span style="font-family: Times New Roman, serif;">on </span><em><span style="font-family: Times New Roman, serif;">Villa Coco</span></em></strong></li>
</ul>
<ul type="disc">
<li style="list-style-type: none;">
<ul type="circle">
<li><span style="font-family: Times New Roman, serif;">Time: Wednesday, October 28 at 6:30 PM</span></li>
<li><span style="font-family: Times New Roman, serif;">Venue: Alumni Hall at Victoria University in the University of Toronto</span></li>
<li><span style="font-family: Times New Roman, serif;">What happens when a young American arrives in Tuscany expecting to catalogue art and instead finds himself swept into the eccentric world of an unforgettable Baronessa? Pulitzer Prize–winning author Andrew Sean Greer discusses </span><em><span style="font-family: Times New Roman, serif;">Villa Coco</span></em><span style="font-family: Times New Roman, serif;">, his new novel. Told with the signature wit, charm, and humanity that made </span><em><span style="font-family: Times New Roman, serif;">Less</span></em><span style="font-family: Times New Roman, serif;"> an international phenomenon, Villa Coco is a dazzling, sun-soaked ode to life itself.</span></li>
</ul>
</li>
</ul>
<ul type="disc">
<li><strong><span style="font-family: Times New Roman, serif;">In Conversation with </span><span style="font-family: Times New Roman, serif;">Dave Eggers</span></strong></li>
<li style="list-style-type: none;">
<ul type="circle">
<li><span style="font-family: Times New Roman, serif;">Time: Thursday, October 29 at 7:00 PM</span></li>
<li><span style="font-family: Times New Roman, serif;">Venue: Alumni Hall at Victoria University in the University of Toronto</span></li>
<li><span style="font-family: Times New Roman, serif;">Dave Eggers — bestselling author of </span><em><span style="font-family: Times New Roman, serif;">A Heartbreaking Work of Staggering Genius</span></em><span style="font-family: Times New Roman, serif;"> — discusses his latest novel </span><em><span style="font-family: Times New Roman, serif;">Contrapposto</span></em><span style="font-family: Times New Roman, serif;">, a sweeping story of friendship, the lifelong pursuit of art, and the pain and exhilarations of the creative impulse. Named among the most anticipated books of the year by People, and Oprah Daily, the novel draws on Eggers’ own experiences attending art school and training as a classical figurative artist.</span></li>
</ul>
</li>
<li><strong><span style="font-family: Times New Roman, serif;">The Politics of Patriotism: Omer Aziz &amp; Carol Off</span></strong></li>
<li style="list-style-type: none;">
<ul type="circle">
<li><span style="font-family: Times New Roman, serif;">Time: Thursday, October 29 at 7:30 PM</span></li>
<li><span style="font-family: Times New Roman, serif;">Venue: Emmanuel College, Room 119</span></li>
<li><span style="font-family: Times New Roman, serif;">What does it mean to love a country—and what happens when patriotism becomes a tool for power? Join writer, lawyer and former foreign policy advisor Omer Aziz (</span><em><span style="font-family: Times New Roman, serif;">Shadows of the Republic</span></em><span style="font-family: Times New Roman, serif;">) and Carol Off (</span><em><span style="font-family: Times New Roman, serif;">True Patriot Love</span></em><span style="font-family: Times New Roman, serif;">) for a timely conversation about patriotism, democracy and identity. Drawing on the history of fascism in America, Aziz examines political movements that challenge democratic ideals, while Off explores the complexities of loving a country honestly. Together, they’ll consider nationalism, political extremism and whether challenging our countries can be an essential expression of patriotism.</span></li>
</ul>
</li>
</ul>
<ul type="disc">
<li><strong><span style="font-family: Times New Roman, serif;">10 years on: A Celebration of Leonard Cohen</span></strong></li>
<li style="list-style-type: none;">
<ul>
<li style="list-style-type: none;">
<ul type="circle">
<li><span style="font-family: Times New Roman, serif;">Time: Thursday, October 29 at 8:00 PM</span></li>
<li><span style="font-family: Times New Roman, serif;">Venue: Isabel Bader Theatre</span></li>
<li><span style="font-family: Times New Roman, serif;">Ten years after his passing, TIFA celebrates the extraordinary life, work and enduring influence of Leonard Cohen. In a very special evening, a cavalcade of musicians, writers and artists including </span><strong><span style="font-family: Times New Roman, serif;">Justin Rutledge, Luke Doucett, Ann-Marie MacDonald, Anne Michaels, Michael Christie and Britta B</span></strong><span style="font-family: Times New Roman, serif;">. come together to honour one of Canada’s &#8211; and the world&#8217;s &#8211; most iconic and beloved creative voices. Through music, readings and performance, the evening will journey through the rich landscape of Cohen’s poetry, novels and songs, and the creative life that continues to resonate with audiences around the world.</span></li>
<li><span style="font-family: Times New Roman, serif;">Presented in collaboration with McClelland &amp; Stewart, with the support of the Leonard Cohen Estate.</span></li>
</ul>
</li>
</ul>
</li>
<li style="list-style-type: none;"></li>
<li><strong><span style="font-family: Times New Roman, serif;">Birds of a Feather: Jackie Morris, Mark Peck, and Emily Rondel</span></strong></li>
</ul>
<ul>
<li style="list-style-type: none;">
<ul>
<li style="list-style-type: none;">
<ul type="circle">
<li><span style="font-family: Times New Roman, serif;">Time: Sunday, November 1 at 1:30 PM</span></li>
<li><span style="font-family: Times New Roman, serif;">Venue: Victoria Chapel</span></li>
<li><span style="font-family: Times New Roman, serif;">Calling all birdwatchers! Join us for a conversation celebrating the wonderful birdlife of Ontario and beyond. Jackie Morris’s artwork in </span><em><span style="font-family: Times New Roman, serif;">The Book of Birds</span></em><span style="font-family: Times New Roman, serif;"> (written by Robert Macfarlane) offers an illustrated exploration of birds, their habitats, and their habits, while Mark Peck and Emily Rondel’s </span><em><span style="font-family: Times New Roman, serif;">A Field Guide to Birds of Ontario</span></em><span style="font-family: Times New Roman, serif;"> provides an essential guide to identifying the province’s diverse species. Together, the authors will explore birdwatching, conservation, illustration, and the joy of paying closer attention to the skies above us</span></li>
</ul>
</li>
</ul>
</li>
</ul>
<ul type="disc">
<li><strong><span style="font-family: Times New Roman, serif;">In Conversation</span><span style="font-family: Times New Roman, serif;"><strong> with</strong> David Shribman</span></strong>
<ul type="circle">
<li><span style="font-family: Times New Roman, serif;">Time: Sunday, November 1 at 3:30 PM</span></li>
<li><span style="font-family: Times New Roman, serif;">Venue: Victoria Chapel at Victoria University in the University of Toronto</span></li>
<li><span style="font-family: Times New Roman, serif;">As tariffs and trade tensions continue to reshape our relationship with our nearest neighbour, Pulitzer Prize-winning journalist David Shribman joins Kyle Wyatt, editor of the </span><em><span style="font-family: Times New Roman, serif;">Literary Review of Canada</span></em><span style="font-family: Times New Roman, serif;">, to make sense of these unprecedented times and what may come next.</span></li>
<li>
<ul type="disc">
<li style="list-style-type: none;"></li>
</ul>
</li>
</ul>
</li>
</ul>
<p><strong><span style="font-family: Times New Roman, serif;">Passes &amp; Tickets</span></strong></p>
<p><span style="font-family: Times New Roman, serif;">Festival passes, which include over 110 events at the Isabel Bader Theatre, located within Victoria University on the grounds of the University of Toronto, can be purchased at <a href="https://us.list-manage.com/10S_sw5nTTo?e=a31f1db310&amp;c2id=bf35f4cd10b3aa06802c86381c2bbe51" target="_blank" rel="noopener">tickets.festivalofauthors.ca/</a></span></p>
<p><span style="font-family: Times New Roman, serif;">Single tickets to events at the Winter Garden Theatre can be purchased through Ticketmaster.</span></p>
<p>The post <a href="https://pinkplaymags.com/2026/10/toronto-international-festival-of-authors-tifa-unites-readers-with-literary-leaders-oct-28-to-nov-1-2026/">Toronto International Festival of Authors (TIFA) unites readers with literary leaders &#8211; Oct 28 to Nov 1, 2026</a> appeared first on <a href="https://pinkplaymags.com">PinkPlayMags</a>.</p>
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		<title>Miami Beach Pride ready to “Make Waves” with 19th annual festival &#8211; Apr 9 to 11, 2027</title>
		<link>https://pinkplaymags.com/2026/10/miami-beach-pride-ready-to-make-waves-with-19th-annual-festival-apr-9-to-11-2027/</link>
					<comments>https://pinkplaymags.com/2026/10/miami-beach-pride-ready-to-make-waves-with-19th-annual-festival-apr-9-to-11-2027/#respond</comments>
		
		<dc:creator><![CDATA[Bryen Dunn]]></dc:creator>
		<pubDate>Mon, 26 Oct 2026 18:18:31 +0000</pubDate>
				<category><![CDATA[Travel]]></category>
		<guid isPermaLink="false">https://pinkplaymags.com/?p=31793</guid>

					<description><![CDATA[<p>Miami Beach Pride will return for its 19th annual festival and parade, unveiling “Make Waves” as its new theme and welcoming Akeso Community Health as its presenting sponsor. The free, two-day celebration (April 10/11, 2027) will once again bring thousands of residents and visitors to Miami Beach for a weekend celebrating LGBTQ+ culture, visibility and community. [&#8230;]</p>
<p>The post <a href="https://pinkplaymags.com/2026/10/miami-beach-pride-ready-to-make-waves-with-19th-annual-festival-apr-9-to-11-2027/">Miami Beach Pride ready to “Make Waves” with 19th annual festival &#8211; Apr 9 to 11, 2027</a> appeared first on <a href="https://pinkplaymags.com">PinkPlayMags</a>.</p>
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<p class="FC-4G VkchC z6Hxc l2HIx" dir="auto" tabindex="-1" data-ricos-paragraph="piyo55"><span class="C-9s7"><strong> Miami Beach Pride</strong> will return for its 19th annual festival and parade, unveiling <strong>“Make Waves”</strong> as its new theme and welcoming Akeso Community Health as its presenting sponsor. The <strong>free, two-day celebration</strong> (April 10/11, 2027) will once again bring thousands of residents and visitors to Miami Beach for a weekend celebrating LGBTQ+ culture, visibility and community. <strong>Miami Pride Week</strong> officially begins on Apr 2 with a full week of events and activities, including </span><span class="C-9s7"><strong>Drag Me to Pride 2.0,</strong> April 9, and culminating with the <strong>Pride Parade</strong> along Ocean Drive beginning at noon on Sunday April 11.</span></p>
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<p id="viewer-wlb4f290" class="FC-4G VkchC z6Hxc l2HIx" dir="auto" tabindex="-1" data-ricos-paragraph="wlb4f290"><span class="C-9s7">Inspired by the power of a single ripple to create a much larger wave, “Make Waves” brings the fun and colour of a beachside Pride together with a deeper message: progress starts when people show up, speak out and make their voices heard. The theme arrives at a critical time for LGBTQ+ organizations, as the loss of state funding and declining corporate sponsorship threaten the resources available to sustain community programming. </span>Despite these financial challenges, Miami Beach Pride remains committed to keeping its annual festival free and accessible while pursuing new partnerships and funding opportunities to protect its work in South Florida.</p>
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<p id="viewer-l97qa294" class="FC-4G VkchC z6Hxc l2HIx" dir="auto" tabindex="-1" data-ricos-paragraph="l97qa294"><span class="C-9s7">“Make Waves is about recognizing that every action matters, especially when we take it together,” said Bruce Horwich, Chairman of Miami Beach Pride. “We are navigating a challenging financial climate, but our commitment to this community has not changed. Pride must remain a place where people can come together, celebrate who they are and know they belong. We are determined to keep that space open and accessible to everyone.”</span></p>
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<h3 id="viewer-ep7qi296" class="lwu2i QTRu3 z6Hxc l2HIx" dir="auto" tabindex="-1" data-ricos-heading="ep7qi296"><span id="akeso-community-health-joins-as-presenting-sponsor-ep7qi296" aria-hidden="true"></span><span class="OQrn5"><strong>AKESO COMMUNITY HEALTH JOINS AS PRESENTING SPONSOR</strong></span></h3>
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<p id="viewer-l9jbj819" class="FC-4G VkchC z6Hxc l2HIx" dir="auto" tabindex="-1" data-ricos-paragraph="l9jbj819"><span class="C-9s7"><a href="https://akeso.org/" target="_blank" rel="noopener"><strong>Akeso Community Health </strong></a>is the presenting sponsor for 2027, bringing a shared commitment to inclusion, empowerment, and community well-being to this year&#8217;s celebration. As part of the partnership, Akeso will bring its new mobile health unit, <strong>Akeso on the Go</strong>, directly to the festival grounds to connect attendees with healthcare resources, education, and prevention services such as testing and PrEP.</span></p>
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<p id="viewer-nwhrj304" class="FC-4G VkchC z6Hxc l2HIx" dir="auto" tabindex="-1" data-ricos-paragraph="nwhrj304"><span class="C-9s7">Guided by its mission to provide compassionate, accessible healthcare, welcome diverse communities, and empower individuals to take charge of their health, Akeso believes that quality healthcare should be available to everyone, regardless of their background or ability to pay. Through this partnership, Akeso and Miami Beach Pride aim to make waves beyond the celebration, breaking down barriers, fostering healthier communities, and ensuring everyone feels seen, welcomed, and supported.</span></p>
</div>
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<h3 id="viewer-d84jn312" class="lwu2i QTRu3 z6Hxc l2HIx" dir="auto" tabindex="-1" data-ricos-heading="d84jn312"><span id="drag-me-to-pride-returns-april-9-d84jn312" aria-hidden="true"></span><span class="OQrn5"><strong>DRAG ME TO PRIDE RETURNS </strong></span></h3>
</div>
<div data-breakout="normal">
<p id="viewer-8krqu314" class="FC-4G VkchC z6Hxc l2HIx" dir="auto" tabindex="-1" data-ricos-paragraph="8krqu314"><span class="C-9s7">Kicking off festival weekend, <strong>Drag Me to Pride 2.0 returns Friday, April 9</strong>, bringing a night of drag performances to the sand at Lummus Park on the south end of the festival grounds. Following its popular debut, the event returns for its second year featuring some of the biggest names in drag, including alumni from <em>RuPaul’s Drag Race</em>. The 2027 lineup announcement and ticket information will be coming soon.</span></p>
</div>
<div data-breakout="normal">
<h3 id="viewer-edkd5320" class="lwu2i QTRu3 z6Hxc l2HIx" dir="auto" tabindex="-1" data-ricos-heading="edkd5320"><span id="a-free-festival-with-a-lasting-impact-edkd5320" aria-hidden="true"></span><span class="OQrn5"><strong>A FREE FESTIVAL WITH A LASTING IMPACT</strong></span></h3>
</div>
<div data-breakout="normal">
<p id="viewer-rrsps322" class="FC-4G VkchC z6Hxc l2HIx" dir="auto" tabindex="-1" data-ricos-paragraph="rrsps322"><span class="C-9s7">For nearly two decades, Miami Beach Pride has brought the LGBTQ+ community and its allies together through free public programming celebrating LGBTQ+ culture and promoting visibility. The annual festival and parade also contribute to South Florida’s economy by drawing visitors from around the world who support local hotels, restaurants and businesses.</span></p>
</div>
<div data-breakout="normal">
<p id="viewer-ohd3c1112" class="FC-4G VkchC z6Hxc l2HIx" dir="auto" tabindex="-1" data-ricos-paragraph="ohd3c1112"><span class="C-9s7">As the organization navigates an increasingly difficult funding environment, community participation and new partnerships will be critical to keeping Pride accessible. With “Make Waves,” Miami Beach Pride invites residents, visitors and businesses to be part of a movement that celebrates the community while standing up for its future.</span></p>
</div>
<div data-breakout="normal">
<ul class="hYiwr z6Hxc">
<li class="VfvfH" dir="auto" aria-level="1">
<p id="viewer-hehpo330" class="FC-4G VkchC z6Hxc l2HIx" dir="" tabindex="-1" data-ricos-paragraph="hehpo330"><span class="C-9s7"><strong>Pride Week:</strong> Begins April 2, 2027</span></p>
</li>
<li class="VfvfH" dir="auto" aria-level="1">
<p id="viewer-jvcwk334" class="FC-4G VkchC z6Hxc l2HIx" dir="" tabindex="-1" data-ricos-paragraph="jvcwk334"><span class="C-9s7"><strong>Drag Me to Pride 2.0:</strong> April 9, 2027</span></p>
</li>
<li class="VfvfH" dir="auto" aria-level="1">
<p id="viewer-mt00x338" class="FC-4G VkchC z6Hxc l2HIx" dir="" tabindex="-1" data-ricos-paragraph="mt00x338"><span class="C-9s7"><strong>Festival: </strong>April 10–11, 2027 (12pm &#8211; 11pm)</span></p>
</li>
<li class="VfvfH" dir="auto" aria-level="1">
<p id="viewer-wfx6h342" class="FC-4G VkchC z6Hxc l2HIx" dir="" tabindex="-1" data-ricos-paragraph="wfx6h342"><span class="C-9s7"><strong>Parade:</strong> April 11, 2027 (12pm)</span></p>
</li>
<li class="VfvfH" dir="auto" aria-level="1">
<p id="viewer-gfx4n346" class="FC-4G VkchC z6Hxc l2HIx" dir="" tabindex="-1" data-ricos-paragraph="gfx4n346"><span class="C-9s7"><strong>Location:</strong> Lummus Park and Ocean Drive, Miami Beach</span></p>
</li>
<li class="VfvfH" dir="auto" aria-level="1">
<p id="viewer-htkzg350" class="FC-4G VkchC z6Hxc l2HIx" dir="" tabindex="-1" data-ricos-paragraph="htkzg350"><span class="C-9s7"><strong>Admission:</strong> Free for the two-day festival and parade</span></p>
</li>
</ul>
</div>
<div data-breakout="normal">
<p id="viewer-n55a9353" class="FC-4G VkchC z6Hxc l2HIx" dir="auto" tabindex="-1" data-ricos-paragraph="n55a9353"><span class="C-9s7">For updates, visit <a href="https://www.miamibeachpride.com/" target="_blank" rel="noopener">Miami Beach Pride</a></span></p>
</div>
<p>The post <a href="https://pinkplaymags.com/2026/10/miami-beach-pride-ready-to-make-waves-with-19th-annual-festival-apr-9-to-11-2027/">Miami Beach Pride ready to “Make Waves” with 19th annual festival &#8211; Apr 9 to 11, 2027</a> appeared first on <a href="https://pinkplaymags.com">PinkPlayMags</a>.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">31793</post-id>	</item>
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		<title>A Curious Presence: An Exploration of Ghosts and the People Who Haunt Them</title>
		<link>https://pinkplaymags.com/2026/10/a-curious-presence-an-exploration-of-ghosts-and-the-people-who-haunt-them/</link>
					<comments>https://pinkplaymags.com/2026/10/a-curious-presence-an-exploration-of-ghosts-and-the-people-who-haunt-them/#respond</comments>
		
		<dc:creator><![CDATA[Bryen Dunn]]></dc:creator>
		<pubDate>Fri, 23 Oct 2026 16:50:00 +0000</pubDate>
				<category><![CDATA[Books]]></category>
		<guid isPermaLink="false">https://pinkplaymags.com/?p=31697</guid>

					<description><![CDATA[<p>A Curious Presence is a spellbinding, inquisitive journey into the nature of the unseen for anyone as curious about the afterlife as they are about life. Hauntings happen. But why? Are they caused by ghosts, or something else? What is a ghost, anyway? After centuries of ghost-hunting by experts and amateurs alike, are we any [&#8230;]</p>
<p>The post <a href="https://pinkplaymags.com/2026/10/a-curious-presence-an-exploration-of-ghosts-and-the-people-who-haunt-them/">A Curious Presence: An Exploration of Ghosts and the People Who Haunt Them</a> appeared first on <a href="https://pinkplaymags.com">PinkPlayMags</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><strong>A Curious Presence</strong> is a spellbinding, inquisitive journey into the nature of the unseen for anyone as curious about the afterlife as they are about life. Hauntings happen. But why? Are they caused by ghosts, or something else? What is a ghost, anyway? After centuries of ghost-hunting by experts and amateurs alike, are we any closer to knowing?</p>
<p>Like many, Storyteller and Paranormal Consultant  Margo MacDonald once believed that all hauntings were the work of restless spirits, but after two decades spent engaging with firsthand accounts of paranormal encounters — and having a few of her own — she has more questions than answers.</p>
<p>MacDonald asks: Why are we haunted by tragedy but not by joy? If a ghost lives in a house but no one experiences it, does it make a haunting? And what does our desire to believe in ghosts say about us?</p>
<p>With insight and humor, <i>A Curious Presence</i> explores the theories that have shaped MacDonald’s understanding of hauntings and the paranormal. Told through conversations with skeptics, sensitives, parapsychologists, investigators, and haunted-house dwellers — interwoven with vivid accounts of real experiences and visits to famously haunted locations — MacDonald proposes an unsettling idea: Perhaps it isn’t the places that are haunted, but the people who move through them. Perhaps we have more in common with ghosts than we think.</p>
<p>Available from <a href="https://ecwpress.com/products/curious-presence" target="_blank" rel="noopener">ECW Press</a></p>
<p><img data-recalc-dims="1" loading="lazy" decoding="async" class="alignnone size-medium wp-image-31699" src="https://i0.wp.com/pinkplaymags.com/wp-content/uploads/2026/10/Margo.jpg?resize=180%2C180&#038;ssl=1" alt="" width="180" height="180" srcset="https://i0.wp.com/pinkplaymags.com/wp-content/uploads/2026/10/Margo.jpg?resize=180%2C180&amp;ssl=1 180w, https://i0.wp.com/pinkplaymags.com/wp-content/uploads/2026/10/Margo.jpg?resize=1024%2C1024&amp;ssl=1 1024w, https://i0.wp.com/pinkplaymags.com/wp-content/uploads/2026/10/Margo.jpg?resize=768%2C768&amp;ssl=1 768w, https://i0.wp.com/pinkplaymags.com/wp-content/uploads/2026/10/Margo.jpg?resize=97%2C97&amp;ssl=1 97w, https://i0.wp.com/pinkplaymags.com/wp-content/uploads/2026/10/Margo.jpg?w=1200&amp;ssl=1 1200w" sizes="auto, (max-width: 180px) 100vw, 180px" /></p>
<p><a href="https://www.instagram.com/margo_thespian/" target="_blank" rel="noopener"><b>Margo MacDonald</b></a> is a storyteller and paranormal consultant for the Haunted Walk ghost tour company. She’s a co-creator and host of Alone in the Dark investigations and a frequent guest on paranormal podcasts. In addition, she’s a multi-award-winning performer and writes plays inspired by queer women’s history. Margo lives in Toronto, ON.</p>
<p>The post <a href="https://pinkplaymags.com/2026/10/a-curious-presence-an-exploration-of-ghosts-and-the-people-who-haunt-them/">A Curious Presence: An Exploration of Ghosts and the People Who Haunt Them</a> appeared first on <a href="https://pinkplaymags.com">PinkPlayMags</a>.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">31697</post-id>	</item>
		<item>
		<title>Queercore &#8211; a look at the queer underground punk scene from the late 1970s to today</title>
		<link>https://pinkplaymags.com/2026/10/queercore-a-look-at-the-queer-underground-punk-scene-from-the-late-1970s-to-today/</link>
					<comments>https://pinkplaymags.com/2026/10/queercore-a-look-at-the-queer-underground-punk-scene-from-the-late-1970s-to-today/#respond</comments>
		
		<dc:creator><![CDATA[Bryen Dunn]]></dc:creator>
		<pubDate>Thu, 22 Oct 2026 18:04:45 +0000</pubDate>
				<category><![CDATA[Books]]></category>
		<guid isPermaLink="false">https://pinkplaymags.com/?p=31558</guid>

					<description><![CDATA[<p>Queercore is a cultural history book that explores the origins and legacy of the queer underground punk movement. It officially got its name in the mid-1980s when G.B. Jones and Bruce LaBruce named it in their revolutionary zine J.D.s, but the movement began years earlier with bands like Wayne County and the Electric Chairs, Nervous Gender, [&#8230;]</p>
<p>The post <a href="https://pinkplaymags.com/2026/10/queercore-a-look-at-the-queer-underground-punk-scene-from-the-late-1970s-to-today/">Queercore &#8211; a look at the queer underground punk scene from the late 1970s to today</a> appeared first on <a href="https://pinkplaymags.com">PinkPlayMags</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><strong>Queercore</strong> is a cultural history book that explores the origins and legacy of the queer underground punk movement. It officially got its name in the mid-1980s when G.B. Jones and Bruce LaBruce named it in their revolutionary zine <i>J.D.s</i>, but the movement began years earlier with bands like Wayne County and the Electric Chairs, Nervous Gender, and Fifth Column. The scene further developed through the spirit of DIY resistance that guided earlier feminist artists as queer musicians pushed back against the homophobia and sexism that remained pervasive in hardcore punk.</p>
<p>The movement then exploded into the next decade with the popularity of bands that often crossed over into the riot grrrl scene, including Tribe 8, Team Dresch, Sister George, and Huggy Bear. Their revolution took the form of zine and cassette creation, which they distributed far and wide. Those documents became like guidebooks for queer punks in small towns throughout North America, Europe, Australia, and Japan.</p>
<p>This book explores queercore as a genre that was never intended to be a genre, but instead an underground resistance movement centered around punk. It identifies the key players in the queercore lexicon, from musicians and filmmakers to record labels and zine-makers, and it documents their histories through original interviews and archival research. Ultimately, the book guides readers through the beginnings of queercore into the present, where the legacy of this unlikely genre looms loudly for LGBTQIA+ artists and all those marginalized by the mainstream.</p>
<p>Available from <a href="https://www.bloomsbury.com/ca/queercore-9798765125878/" target="_blank" rel="noopener">Bloomsbury</a></p>
<p><img data-recalc-dims="1" loading="lazy" decoding="async" class="size-medium wp-image-31561" src="https://i0.wp.com/pinkplaymags.com/wp-content/uploads/2026/09/Audrey_Golden.jpg?resize=180%2C101&#038;ssl=1" alt="" width="180" height="101" srcset="https://i0.wp.com/pinkplaymags.com/wp-content/uploads/2026/09/Audrey_Golden.jpg?resize=180%2C101&amp;ssl=1 180w, https://i0.wp.com/pinkplaymags.com/wp-content/uploads/2026/09/Audrey_Golden.jpg?resize=1024%2C576&amp;ssl=1 1024w, https://i0.wp.com/pinkplaymags.com/wp-content/uploads/2026/09/Audrey_Golden.jpg?resize=768%2C432&amp;ssl=1 768w, https://i0.wp.com/pinkplaymags.com/wp-content/uploads/2026/09/Audrey_Golden.jpg?resize=1536%2C864&amp;ssl=1 1536w, https://i0.wp.com/pinkplaymags.com/wp-content/uploads/2026/09/Audrey_Golden.jpg?resize=801%2C446&amp;ssl=1 801w, https://i0.wp.com/pinkplaymags.com/wp-content/uploads/2026/09/Audrey_Golden.jpg?w=1920&amp;ssl=1 1920w, https://i0.wp.com/pinkplaymags.com/wp-content/uploads/2026/09/Audrey_Golden.jpg?w=1280&amp;ssl=1 1280w" sizes="auto, (max-width: 180px) 100vw, 180px" /></p>
<p><a href="https://www.audreyjgolden.com" target="_blank" rel="noopener"><b>Audrey Golden</b></a> is an arts and culture writer with a focus in music, cinema, and politics based in New York, USA. She is the author of <i>I Thought I Heard You Speak: Women at Factory Records</i> (2023) and<i> Shouting Out Loud: Lives of the Raincoats. </i></p>
<p>The post <a href="https://pinkplaymags.com/2026/10/queercore-a-look-at-the-queer-underground-punk-scene-from-the-late-1970s-to-today/">Queercore &#8211; a look at the queer underground punk scene from the late 1970s to today</a> appeared first on <a href="https://pinkplaymags.com">PinkPlayMags</a>.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">31558</post-id>	</item>
		<item>
		<title>Cognitive Dissident: Conversations with THE THE&#8217;s Matt Johnson</title>
		<link>https://pinkplaymags.com/2026/10/cognitive-dissident-conversations-with-the-thes-matt-johnson/</link>
					<comments>https://pinkplaymags.com/2026/10/cognitive-dissident-conversations-with-the-thes-matt-johnson/#respond</comments>
		
		<dc:creator><![CDATA[Bryen Dunn]]></dc:creator>
		<pubDate>Wed, 21 Oct 2026 19:50:48 +0000</pubDate>
				<category><![CDATA[Books]]></category>
		<guid isPermaLink="false">https://pinkplaymags.com/?p=31610</guid>

					<description><![CDATA[<p>Cognitive Dissident may begin in the music biography tradition, but it quickly becomes something deeper. Borne out of years of conversation and collaboration between Matt Johnson (the creative force behind THE THE) and writer Jason Wood (Executive Director at the BFI), it expands into a work that is philosophical, cultural, and socio-political in scope. The story traces Johnson’s childhood growing up [&#8230;]</p>
<p>The post <a href="https://pinkplaymags.com/2026/10/cognitive-dissident-conversations-with-the-thes-matt-johnson/">Cognitive Dissident: Conversations with THE THE&#8217;s Matt Johnson</a> appeared first on <a href="https://pinkplaymags.com">PinkPlayMags</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><em>Cognitive Dissident</em> may begin in the music biography tradition, but it quickly becomes something deeper. Borne out of years of conversation and collaboration between Matt Johnson (the creative force behind THE THE) and writer Jason Wood (Executive Director at the BFI), it expands into a work that is philosophical, cultural, and socio-political in scope.</p>
<p>The story traces Johnson’s childhood growing up above one of East London’s most famous pubs, his early international success in music, followed by his sudden disappearance for decades. <span data-olk-copy-source="MessageBody">Then in 2017, </span><i>The Inertia Variations</i> project brought about an extraordinary creative rebirth, leading to THE THE’s return: The Comeback Special World Tour, live album and film, the release of <em>Ensoulment </em>– their first new album in 25 years – and the acclaimed Ensouled World Tour. Along the way, it illuminates Johnson’s evolution from the post-punk DIY scene to his many collaborations with producers, musicians, and cultural icons, as well as the influence of literature, art, and cinema that has always shaped his vision.</p>
<p>Through these conversations with Matt Johnson – a working-class auto-didact who achieved success and ultimately career control on his own terms – this book by extension is also a meditation on family, friendship, creativity, conservation, gentrification, geopolitics, love and loss.</p>
<p>Available from <a href="https://omnibuspress.com/products/cognitive-dissident" target="_blank" rel="noopener">Omnibus Press</a></p>
<p><img data-recalc-dims="1" loading="lazy" decoding="async" class="alignnone size-medium wp-image-31618" src="https://i0.wp.com/pinkplaymags.com/wp-content/uploads/2026/09/Matt-Johnson.jpg?resize=180%2C175&#038;ssl=1" alt="" width="180" height="175" srcset="https://i0.wp.com/pinkplaymags.com/wp-content/uploads/2026/09/Matt-Johnson.jpg?resize=180%2C175&amp;ssl=1 180w, https://i0.wp.com/pinkplaymags.com/wp-content/uploads/2026/09/Matt-Johnson.jpg?w=562&amp;ssl=1 562w" sizes="auto, (max-width: 180px) 100vw, 180px" /></p>
<p><strong><span class="a-text-bold">Matt Johnson </span></strong>is an English singer-songwriter best known as the lead vocalist and only constant member of his band <a href="https://www.thethe.com/" target="_blank" rel="noopener"><strong>The The</strong></a>. He is also a film soundtrack composer, publisher, broadcaster, conservationist, and local activist. Matt is based in East London.</p>
<p><img data-recalc-dims="1" loading="lazy" decoding="async" class="alignnone size-medium wp-image-31617" src="https://i0.wp.com/pinkplaymags.com/wp-content/uploads/2026/09/Jason-Wood.png?resize=180%2C180&#038;ssl=1" alt="" width="180" height="180" srcset="https://i0.wp.com/pinkplaymags.com/wp-content/uploads/2026/09/Jason-Wood.png?resize=180%2C180&amp;ssl=1 180w, https://i0.wp.com/pinkplaymags.com/wp-content/uploads/2026/09/Jason-Wood.png?resize=768%2C768&amp;ssl=1 768w, https://i0.wp.com/pinkplaymags.com/wp-content/uploads/2026/09/Jason-Wood.png?resize=97%2C97&amp;ssl=1 97w, https://i0.wp.com/pinkplaymags.com/wp-content/uploads/2026/09/Jason-Wood.png?w=960&amp;ssl=1 960w" sizes="auto, (max-width: 180px) 100vw, 180px" /></p>
<p><a href="https://www.bfi.org.uk/profile/jason-wood" target="_blank" rel="noopener"><strong><span class="a-text-bold">Jason Wood</span></strong></a> is Executive Director of Public Programmes and Audiences at BFI (British Film Institute). His other books include <span class="a-text-italic">100 American Independent Films, Nick Broomfield: Documenting Icons, The Faber Book of Mexican Cinema, 100 Road Movies </span>and <span class="a-text-italic">100 American Independent Films</span>.</p>
<p>The post <a href="https://pinkplaymags.com/2026/10/cognitive-dissident-conversations-with-the-thes-matt-johnson/">Cognitive Dissident: Conversations with THE THE&#8217;s Matt Johnson</a> appeared first on <a href="https://pinkplaymags.com">PinkPlayMags</a>.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">31610</post-id>	</item>
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		<title>Genres High and Low &#8211; Philip Monk&#8217;s Writings on Art includes essays from the mid-1990s to the present</title>
		<link>https://pinkplaymags.com/2026/10/genres-high-and-low-philip-monks-writings-on-art-includes-essays-from-the-mid-1990s-to-the-present/</link>
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		<dc:creator><![CDATA[Bryen Dunn]]></dc:creator>
		<pubDate>Tue, 20 Oct 2026 20:04:58 +0000</pubDate>
				<category><![CDATA[Books]]></category>
		<guid isPermaLink="false">https://pinkplaymags.com/?p=31580</guid>

					<description><![CDATA[<p>Genres High and Low shows an understanding of art writing not as secondary or derivative but as an inventive practice in its own right. Drawing on Philip Monk’s extensive writing history, Genres High and Low includes essays from the mid-1990s to the present on Canadian and international artists; on the American avant-garde and underground culture of the 1960s [&#8230;]</p>
<p>The post <a href="https://pinkplaymags.com/2026/10/genres-high-and-low-philip-monks-writings-on-art-includes-essays-from-the-mid-1990s-to-the-present/">Genres High and Low &#8211; Philip Monk&#8217;s Writings on Art includes essays from the mid-1990s to the present</a> appeared first on <a href="https://pinkplaymags.com">PinkPlayMags</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><strong>Genres High and Low</strong> shows an understanding of art writing not as secondary or derivative but as an inventive practice in its own right.</p>
<p>Drawing on Philip Monk’s extensive writing history, <i>Genres High and Low</i> includes essays from the mid-1990s to the present on Canadian and international artists; on the American avant-garde and underground culture of the 1960s and 1970s; on the origins of the downtown Toronto art scene in the late 1970s into the 1980s; and on new ways of thinking about history, archives, and curating.</p>
<p>During his career, Monk worked as a curator at the Art Gallery of Ontario and The Power Plant Contemporary Art Gallery and was director of the Art Gallery of York University. But Monk is best known for leading with his writing. He was Toronto’s first independent art critic, an example others followed. He introduced French theory to English Canadian art writing and combined it with literary invention. His writing is both philosophical and performative: he extended his writing into atypical territory through his experiments with genre, rule-based writing, pseudonyms, and unusual subject matter. He uncovered and then mimicked the operational strategies of the artists he was considering, adopting an analytical style and a narrative form unique to the matter at hand.</p>
<p><i>Genres High and Low</i> shows an understanding of art writing not as secondary or derivative but as an inventive practice in its own right.</p>
<p>Available from <a href="https://gooselane.com/products/genres-high-and-low" target="_blank" rel="noopener">Goose Lane</a>.</p>
<p><img data-recalc-dims="1" loading="lazy" decoding="async" class="alignnone size-medium wp-image-31581" src="https://i0.wp.com/pinkplaymags.com/wp-content/uploads/2026/09/Philip-Monk.jpg?resize=180%2C181&#038;ssl=1" alt="" width="180" height="181" srcset="https://i0.wp.com/pinkplaymags.com/wp-content/uploads/2026/09/Philip-Monk.jpg?resize=180%2C181&amp;ssl=1 180w, https://i0.wp.com/pinkplaymags.com/wp-content/uploads/2026/09/Philip-Monk.jpg?resize=97%2C97&amp;ssl=1 97w, https://i0.wp.com/pinkplaymags.com/wp-content/uploads/2026/09/Philip-Monk.jpg?w=222&amp;ssl=1 222w" sizes="auto, (max-width: 180px) 100vw, 180px" /></p>
<p><a href="https://www.philipmonk.com" target="_blank" rel="noopener"><b>Philip Monk</b></a>, former Director of the Art Gallery of York University in Toronto, has written fourteen books over his career, as well as scores of articles, reviews, and essays, plus dozens of catalogues on international and Canadian artists. Dedicated to setting in place the theoretical conditions for writing the history of contemporary Canadian Art, and of Toronto in particular, Monk’s writing set the terms of debate on art in Canada for decades. His most recent book, <i>Is Toronto Burning?</i> is a history of the conflicted creation of Toronto’s downtown art scene in the late 1970s.</p>
<p>The post <a href="https://pinkplaymags.com/2026/10/genres-high-and-low-philip-monks-writings-on-art-includes-essays-from-the-mid-1990s-to-the-present/">Genres High and Low &#8211; Philip Monk&#8217;s Writings on Art includes essays from the mid-1990s to the present</a> appeared first on <a href="https://pinkplaymags.com">PinkPlayMags</a>.</p>
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